In Arlene Shechet’s sculpture past, present, and future are subtly intertwined. She begins with a pair of candlesticks that her grandmother brought from Belarus in 1920, the only material objects the family possesses from their country of origin. As she sought to learn more about them, Shechet uncovered long-forgotten family documents, from which she was able to track down previously unknown relatives. The work is a functioning candelabrum grown from the old candlesticks; like them, it may be used for the Sabbath ceremony.

Three more iterations of the work are planned. The artist has embedded an image of the cover of her grandmother’s passport in the sculpture and will ask each subsequent owner to give her a cherished family record, which she will also embed in the piece. Thus, Travel Light will accumulate new stories, as a suitcase acquires travel labels, embracing the future as well as the past.